In Cybertext, Espen Aarseth explores the aesthetics and textual dynamics of however, Aarseth situates these literary forms within the tradition of “ergodic”. Espen J. Aarseth (born in Bergen, Norway) is a figure in the fields of video game studies Aarseth’s works include groundbreaking Cybertext: Perspectives on Ergodic Literature (Johns Hopkins UP ) book, which was originally his. Wiki for Collaborative Studies of Arts, Media and Humanities.

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Future Cinema — This course examines the shift from traditional cinematic spectacle to works probing xarseth frontiers of interactive, performative, and networked media. Writing can be broken down into two units which are called textons and scriptons.

Most interesting to me are the distinctions he draws between the various types of what he calls ergodic literature. Rather, it is a desire to redefine what can be considered literary in the first place. Aarseth Snippet view – My advice is to read the first two chapters.

Chris Owen rated it really liked it Mar 05, Aarseth born in Bergen, Norway is a figure in the fields of video game studies and electronic literature. The article discusses the concept behind nonlinear texts, stepping away from the category of hypertext and delving into cybertxet types of media which can also be considered nonlinear.


Cybertext: Perspectives on Ergodic Literature by Espen J. Aarseth

No trivia or quizzes yet. The book introduces the concept of ergodic literaturewhich is a text that requires non-trivial effort to be traversed. Is it necessary to define a new aesthetics of cyborg textuality? Refresh and try again.

Cybertexts are capable of branching in different directions that will cut off other parts of the text based on choices made by the reader. Mar 22, Susana rated it it was amazing. Aarseth simply wants to reunite the two forms in order espfn study them using the same theoretical framework.

Perspectives on Ergodic Literature Espen J. Am looking forward to seeing how his perspectives have developed over cyberetxt last 15 years as well. The essay also discusses hypertext vybertext in depth as well as works of interactive fictionsuch as Colossal Cave Adventureand MUDs.

But as a nonacademic, I found the sometimes obtuse, jargon-happy writing off-putting and the minutiae of historical accounts irrelevant. Aarseth sets the foundation for a cyebrtext approach to ergodic literature.

Can computer games be great literature? Is it necessary to define a new aesthetics of cyborg textuality? Open Preview See a Problem?

Espen Aarseth

This misrepresentation of the relationship between the reader and the text conflates the mutable narrative paths of the cybertext with the ambiguity found in literature with otherwise linear expression. Still a good thing to get to know for a theoretical foundation. Prose at times overly verbose yet slight humor cyberfext up for it.


Cyberfext rated it it was amazing Feb 03, Problems of Automated Poetics. Textonomy chapter is intimidating to non-statistics-users but it was purposeful — to define a text.

Paul Bogen rated it really liked it May 30, Rigorous about defining terms! From Wikipedia, the free encyclopedia. Interesting, though somewhat dense at times. The image of the espem is a potent one for Aarseth and helps to illustrate the conflation of these different textualities.

Presentation and Questions: Espen Aarseth on Cybertext and Ergodic Literature | Future Cinema

Sep 23, Tim Lepczyk rated it it was ok Shelves: Cybertsxt computer games be great literature? Aug 10, Robert Stewart rated it really liked it. Traditionally, representations of the labyrinth in classical and medieval art were unicursal while the literary maze was multicursal Cybbertext acknowledges this paradox. One problem with the approaches is that they do not account for emergent behavior results not predicted by the designer; i.

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